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	<title>Nuria Muñoz Sánchez-Horneros</title>
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		<title>Vassily Kandinsky. Pionero del arte abstracto</title>
		<link>https://nuriamunoz.com/vassily-kandinsky-pionero-del-arte-abstracto/</link>
		
		<dc:creator><![CDATA[Nuria Muñoz Sánchez-Horneros]]></dc:creator>
		<pubDate>Tue, 02 Sep 2025 17:37:27 +0000</pubDate>
				<category><![CDATA[Exposiciones]]></category>
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					<description><![CDATA[<p>28 marzo - 7 septiembre 2025<br />
Centre Pompidou Málaga</p>
<p>La entrada <a href="https://nuriamunoz.com/vassily-kandinsky-pionero-del-arte-abstracto/">Vassily Kandinsky. Pionero del arte abstracto</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
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									<p>28 marzo &#8211; 7 septiembre 2025<br />Centre Pompidou, Málaga</p><p><strong>El Centre Pompidou Málaga</strong> presenta el fondo de obras más completo del artista -fruto de las donaciones y del legado de su viuda Nina Kandinsky- y que pertenece a la <strong>colección del Centre Pompidou -Musée national d´art moderne</strong>.</p><p><strong>Vassily Kandinsky</strong> (1866-1944), es una de las figuras más destacadas del arte moderno. Este artista de origen ruso hizo una contribución decisiva a la idea de un arte autónomo, un arte libre de cualquier referencia al mundo exterior, donde el objeto no es indispensable en la obra. Es importante subrayar que su trayectoria profesional hacia la abstracción estuvo influenciada por dos expresiones artísticas: Los Almiares de Claude Monet y la representación de la ópera Lohengrin de Wagner.</p><p>La clave de sus investigaciones sobre la abstracción se publicaron en su libro <strong>De lo espiritual en el arte y la pintura en particular</strong> “ La armonía de los colores debe basarse únicamente en el principio de resonancia con el alma humana”, “El color es un teclado, los ojos son un martillo, y el alma es un piano, con sus muchas cuerdas vibrantes” (1911). En 1912 publicó con el pintor Franz Marc el famoso <strong>Almanaque Jinete Azul</strong>, un manifiesto sobre la unidad entre diversas formas de arte, enfatizando la importancia del contenido espiritual y la necesidad interior del artista y en 1926 publicó su segundo gran tratado <strong>Punto y línea sobre plano.</strong></p><p>En la <strong>Galería de imágenes</strong> se muestra esta magnífica retrospectiva, comisariada por <strong>Angela Lampe</strong>, donde podemos apreciar parte la extraordinaria trayectoria profesional de Vassily Kandinsky: sus inicios figurativos plasmados en los viajes por Europa junto a la pintora Gabriele Münter, la génesis del arte abstracto en Múnich, el período dramático por su regreso a Rusia durante los años revolucionarios, su vuelta a Alemania como miembro de la escuela Bauhaus y el estilo desarrollado en sus últimos años en Paris, donde fusionó el rigor del constructivismo ruso con la fantasía del surrealismo francés.</p><p><!-- /wp:paragraph --></p>								</div>
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		<p>La entrada <a href="https://nuriamunoz.com/vassily-kandinsky-pionero-del-arte-abstracto/">Vassily Kandinsky. Pionero del arte abstracto</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
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		<title>Museo de Arte Contemporáneo y Centro de Arquitectura (MAC/CCB), Lisboa</title>
		<link>https://nuriamunoz.com/museo-de-arte-contemporaneo-y-centro-de-arquitectura-mac-ccb-lisboa/</link>
		
		<dc:creator><![CDATA[Nuria Muñoz Sánchez-Horneros]]></dc:creator>
		<pubDate>Mon, 07 Apr 2025 14:01:09 +0000</pubDate>
				<category><![CDATA[Exposiciones]]></category>
		<guid isPermaLink="false">https://nuriamunoz.com/?p=16714</guid>

					<description><![CDATA[<p>Colección Berardo</p>
<p>La entrada <a href="https://nuriamunoz.com/museo-de-arte-contemporaneo-y-centro-de-arquitectura-mac-ccb-lisboa/">Museo de Arte Contemporáneo y Centro de Arquitectura (MAC/CCB), Lisboa</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
]]></description>
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<p>Museo de Arte Contemporáneo y Centro de Arquitectura (MAC/CCB), Lisboa</p>
<p>El <strong>Centro Cultural de Belem (CCB)</strong> fue construido para acoger en 1992 la Presidencia Portuguesa de la Unión Europea, convirtiéndose posteriormente en un centro dinamizador de diversas actividades culturales. En 2023, el Centro de Exposiciones del CCB abrió sus puertas como <strong>MAC/CCB Museo de Arte Contemporáneo y Centro de Arquitectura</strong>; y es que tanto las artes plásticas, como la arquitectura, el diseño y la fotografía son sujetos de exposición de este centro. <br />El MAC/CCB alberga la <strong>Colección Berardo, la Colección Holma/Ellipse, la Colección Teixeira de Freitas y la Colección de Arte Contemporáneo del Estado</strong>.</p>
<p><strong>La Colección Berardo de arte moderno y contemporáneo internacional de los siglos XX y XXI</strong> representa cerca de 70 tendencias artísticas, en una colección de más de 900 obras de más de 500 artistas. La vocación internacional y el espectro cronológico de un siglo, convierten esta colección en una magnífica plataforma para la reflexión sobre este período de la historia del arte.</p>
<p>En la <strong>Galería de Imágenes</strong> se incluyen algunas obras de la <strong>Colección Berardo</strong> de la que forman parte algunos de los más grandes nombres de la modernidad, como Jean-Michel Basquiat, Lucio Fontana, Víctor Vasarely, Josef Albers, Pablo Picasso, Jackson Pollock, Kurt Seligmann, René Magritte, Joaquín Torres García, László Moholy-Nagy, Marcelle Cahn, Piet Mondrian, El Lissitsky, Albert Gleizes, Hans Arp, Jean-Paul Riopelle y la portuguesa María Helena Vieira Da Silva.</p>
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		<p>La entrada <a href="https://nuriamunoz.com/museo-de-arte-contemporaneo-y-centro-de-arquitectura-mac-ccb-lisboa/">Museo de Arte Contemporáneo y Centro de Arquitectura (MAC/CCB), Lisboa</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
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		<title>Centro Paul Klee, Berna</title>
		<link>https://nuriamunoz.com/centro-paul-klee-berna/</link>
		
		<dc:creator><![CDATA[Nuria Muñoz Sánchez-Horneros]]></dc:creator>
		<pubDate>Thu, 03 Apr 2025 17:56:12 +0000</pubDate>
				<category><![CDATA[Exposiciones]]></category>
		<guid isPermaLink="false">https://nuriamunoz.com/?p=16685</guid>

					<description><![CDATA[<p>La Colección de Klee</p>
<p>La entrada <a href="https://nuriamunoz.com/centro-paul-klee-berna/">Centro Paul Klee, Berna</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="16685" class="elementor elementor-16685" data-elementor-post-type="post">
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<p>Centro Paul Klee en Berna, Suiza</p>
<p>Paul Klee creció en Berna y allí pasó los últimos años de su vida. Es por eso que la colección más importante a nivel mundial de su trabajo está en el <strong>Centro Paul Klee de Berna</strong>.</p>
<p><strong>Paul Klee</strong> (1879-1940) es uno de los artistas modernos más importantes que buscó nuevas formas de expresión para hacer justicia a la problemática social y cultural de su época. Exploró movimientos artísticos como el expresionismo, el cubismo, el dadaísmo, el surrealismo y el constructivismo sin pertenecer a ninguno de éstos.<span class="Apple-converted-space"> </span></p>
<p>En la <strong>Galería de imágenes</strong> que abarcan el período 1896-1940 se muestran las diversas facetas de la obra de Klee, un trabajo experimental no sólo en términos de contenido y forma, sino también en técnica. Comienza como dibujante y sus intentos con la pintura se limitan a algunos paisajes y a la denominada “acuarela negra”, compuesta por tonalidades claras y oscuras. En 1912, donde participa en la segunda <strong>exposición del Jinete Azul</strong>, queda influenciado por las teorías y métodos “Sobre la luz” de Delaunay y es en 1914, coincidiendo con su viaje a Túnez, donde adquiere a través de esos paisajes la experiencia del color y la luz que irrumpen en su obra para convertirla en pintura y que como relataba en su diario “… El color me posee, no necesito ir a cazarlo. Me posee para siempre lo sé. Este es el sentido de la hora feliz: El color y yo somos uno. Soy Pintor” (Anotación Diario Klee 16 de abril 1914). En 1921, su obra adquiere más profundidad y riqueza al combinar la intensa actividad creativa en su taller y la <strong>enseñanza pública del arte en la escuela de la Bauhaus</strong>. Allí se dedicó intensamente a estudiar las analogías entre las regularidades musicales y las estructuras plásticas. En 1933, regresa a Berna y sus últimos años en el exilo suizo redujeron significativamente su producción, especialmente entre 1934 y 1936, coincidiendo con su enfermedad. De nuevo Klee se entrega a su pintura sobrepasando su obra precedente con un nuevo estilo que deja a un lado la fría abstracción para dar paso a un nuevo mundo -donde crea un reino de mitos y seres fabulosos- que le convirtieron en un adelantado a su tiempo, en uno de los artistas más estimulantes de la modernidad. </p>
<p><strong>“El arte no reproduce lo visible; más bien, lo hace visible”. </strong><strong>Paul Klee, 1920</strong></p>
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				<a data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="29448083" data-elementor-lightbox-title="Casas en el vía crucis, 1929" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTY2NzEsInVybCI6Imh0dHBzOlwvXC9udXJpYW11bm96LmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDRcL0lNR185MjI0LXNjYWxlZC5qcGVnIiwic2xpZGVzaG93IjoiMjk0NDgwODMifQ%3D%3D" href='https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9224-scaled.jpeg'><img loading="lazy" decoding="async" width="150" height="150" src="https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9224-150x150.jpeg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
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				<a data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="29448083" data-elementor-lightbox-title="Plano de jardín, 1922" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTY2NzIsInVybCI6Imh0dHBzOlwvXC9udXJpYW11bm96LmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDRcL0lNR185MjI2LmpwZWciLCJzbGlkZXNob3ciOiIyOTQ0ODA4MyJ9" href='https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9226.jpeg'><img loading="lazy" decoding="async" width="150" height="150" src="https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9226-150x150.jpeg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
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				<a data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="29448083" data-elementor-lightbox-title="Paisaje rocoso, 1919" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTY2NzUsInVybCI6Imh0dHBzOlwvXC9udXJpYW11bm96LmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDRcL0lNR185MTc0LXNjYWxlZC5qcGVnIiwic2xpZGVzaG93IjoiMjk0NDgwODMifQ%3D%3D" href='https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9174-scaled.jpeg'><img loading="lazy" decoding="async" width="150" height="150" src="https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9174-150x150.jpeg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
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				<a data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="29448083" data-elementor-lightbox-title="Doble cara, 1933" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTY2NzYsInVybCI6Imh0dHBzOlwvXC9udXJpYW11bm96LmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDRcL0lNR185MjA4LXNjYWxlZC5qcGVnIiwic2xpZGVzaG93IjoiMjk0NDgwODMifQ%3D%3D" href='https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9208-scaled.jpeg'><img loading="lazy" decoding="async" width="150" height="150" src="https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9208-150x150.jpeg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
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				<a data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="29448083" data-elementor-lightbox-title="Libro ilustrado, 1937" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTY2NzksInVybCI6Imh0dHBzOlwvXC9udXJpYW11bm96LmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDRcL0lNR185MjMwLXNjYWxlZC5qcGVnIiwic2xpZGVzaG93IjoiMjk0NDgwODMifQ%3D%3D" href='https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9230-scaled.jpeg'><img loading="lazy" decoding="async" width="150" height="150" src="https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9230-150x150.jpeg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
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				<a data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="29448083" data-elementor-lightbox-title="Cunctator, 1938" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTY2ODIsInVybCI6Imh0dHBzOlwvXC9udXJpYW11bm96LmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDRcL0lNR185MjE2LXNjYWxlZC5qcGVnIiwic2xpZGVzaG93IjoiMjk0NDgwODMifQ%3D%3D" href='https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9216-scaled.jpeg'><img loading="lazy" decoding="async" width="150" height="150" src="https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9216-150x150.jpeg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
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				<a data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="29448083" data-elementor-lightbox-title="Opinión escénica, 1939" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTY2ODMsInVybCI6Imh0dHBzOlwvXC9udXJpYW11bm96LmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDRcL0lNR185MjAzLXNjYWxlZC5qcGVnIiwic2xpZGVzaG93IjoiMjk0NDgwODMifQ%3D%3D" href='https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9203-scaled.jpeg'><img loading="lazy" decoding="async" width="150" height="150" src="https://nuriamunoz.com/wp-content/uploads/2025/04/IMG_9203-150x150.jpeg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
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		<p>La entrada <a href="https://nuriamunoz.com/centro-paul-klee-berna/">Centro Paul Klee, Berna</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
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		<title>Shirley Jaffe. Antes y después de Matisse</title>
		<link>https://nuriamunoz.com/shirley-jaffe-antes-y-despues-de-matisse/</link>
		
		<dc:creator><![CDATA[Nuria Muñoz Sánchez-Horneros]]></dc:creator>
		<pubDate>Sun, 10 Dec 2023 23:39:50 +0000</pubDate>
				<category><![CDATA[Exposiciones]]></category>
		<guid isPermaLink="false">https://nuriamunoz.com/?p=16570</guid>

					<description><![CDATA[<p>20 octubre 2023 - 8 enero 2024<br />
Museo Matisse, Niza</p>
<p>La entrada <a href="https://nuriamunoz.com/shirley-jaffe-antes-y-despues-de-matisse/">Shirley Jaffe. Antes y después de Matisse</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
]]></description>
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									<p></p><p>20 octubre 2023 &#8211; 8 enero 2024<br />Museo Matisse, Niza</p><p>El Museo Matisse de Niza rinde homenaje -por segunda vez- a la artista estadounidense Shirley Jaffe (1923-2016). La primera muestra, que presentaba la pintura más reciente de la artista, tuvo lugar en 1994. En esta nueva exposición, comisariada por <strong>Frédéric Paul</strong> (Conservador de colecciones contemporáneas del Centro Pompidou), se presenta el trabajo de toda su trayectoria artística y tiene como objetivo descubrir las resonancias entre Shirley Jaffe y Henri Matisse.</p><p>La exposición está organizada en colaboración con el <strong>Centro Pompidou, Paris y el Kunstmuseum Basel, Basilea.</strong></p><p>En la <strong>Galería de imágenes</strong> se aprecia la evolución estilística de la artista de inicios expresionistas abstractos marcadamente gestuales a composiciones estructuradas con formas geométricas en colores brillantes (finales de la década de 1960) y el uso del blanco en sus pinturas (a partir de la década de 1980) para sacar a relucir la tensión entre motivos monocromáticos. También se incluyen en esta galería de imágenes los papeles gouchados, cortados y pegados de <strong>Henri Matisse</strong>, y que son el propósito con el que el comisario de esta muestra, nos presenta la influencia que ejercieron en las pinturas maduras de Shirley Jafffe.</p><p></p><p> </p>								</div>
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		<p>La entrada <a href="https://nuriamunoz.com/shirley-jaffe-antes-y-despues-de-matisse/">Shirley Jaffe. Antes y después de Matisse</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
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		<title>Fundación Maeght</title>
		<link>https://nuriamunoz.com/fundacion-maeght/</link>
		
		<dc:creator><![CDATA[Nuria Muñoz Sánchez-Horneros]]></dc:creator>
		<pubDate>Sun, 12 Nov 2023 22:05:13 +0000</pubDate>
				<category><![CDATA[Exposiciones]]></category>
		<guid isPermaLink="false">https://nuriamunoz.com/?p=16510</guid>

					<description><![CDATA[<p>Colección permanente y<br />
Exposición temporal (1 julio - 12 noviembre 2023) de Riopelle. “Parfums d´ateliers”<br />
Saint-Paul de Vence, Francia</p>
<p>La entrada <a href="https://nuriamunoz.com/fundacion-maeght/">Fundación Maeght</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
]]></description>
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<p>Fondation Marguerite et Aimé Maeght<br />Saint-Paul de Vence, Francia<br /><br />Entre 1953 y 1955, los galeristas <strong>Marguerite y Aimé Maeght</strong>, tras su visita a las fundaciones estadounidenses Barnes, Phillips y Guggenheim, deciden idear un espacio donde reunir su colección y donde sus amigos artistas (Joan Miró, Alexander Calder, Fernand Léger, Pierre Bonnard, George Braque, Alberto Giacometti, Marc Chagall y muchos otros) puedan trabajar e intercambiar ideas. Con esta misión se crea la <strong>Fundación Maeght.</strong><br /><br />En 1957, el arquitecto <strong>Josep</strong> <strong>Luis Sert r</strong>ecibe el encargo de diseñar este singular edificio y en colaboración con pintores y escultores, crean obras que están integradas en el mismo y en su entorno. De esta forma, arquitectura, arte y paisaje conviven en un mismo lugar: <strong>Saint-Paul de Vence</strong> <strong>(Francia).</strong><br /><br />La Fundación Maeght queda inaugurada en 1964 y representa una de las mayores colecciones de arte moderno de Europa, con pinturas, esculturas, dibujos y obras gráficas de famosas figuras del siglo XX. Configurada como un centro cultural, en la actualidad se organizan exposiciones temporales y eventos de diferentes disciplinas artísticas.<br /><br />Destacable, en la <strong>biblioteca</strong>, la rica colección de libros que Aimé Maeght reunió y produjo en colaboración con los artistas Marc Chagall, Joan Miró, Alexander Calder y Jacques Prévert, entre otros.<br /><br /><strong>Galería de imágenes</strong> donde se pueden apreciar: Las esculturas de <strong>Giacometti,</strong> que se ubican en el patio central; en el jardín de las esculturas se halla “Les renforts”, de <strong>Alexander Calder;</strong> la escultura “Iru harri” de <strong>Eduardo</strong> <strong>Chillida;</strong> en el Laberinto de <strong>Miró,</strong> se presentan los animales fantásticos de la mitología personal del artista; el mosaico “Les Amoreux”, de <strong>Marc</strong> <strong>Chagall,</strong> se expone en una pared del edificio; junto a la biblioteca, se encuentra la escultura de <strong>Takis</strong>; <strong>George</strong> <strong>Braque, </strong>representa su obra en la piscina y vidrieras; la fuente, es de <strong>Pol Bury</strong> y una capilla dedicada a San Bernardo, está decorada con una vidriera de Braque y contiene un Cristo Español del siglo XII. <br />También se muestran cuatro imágenes de la <strong>exposición temporal de Jean Paul Riopelle: Parfums d´ateliers.</strong> Uno de los artistas más multidisciplinarios y productivos de la segunda mitad del siglo XX.</p>
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		<p>La entrada <a href="https://nuriamunoz.com/fundacion-maeght/">Fundación Maeght</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
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			</item>
		<item>
		<title>Omar Hassan. Punctum</title>
		<link>https://nuriamunoz.com/omar-hassan-punctum/</link>
		
		<dc:creator><![CDATA[Nuria Muñoz Sánchez-Horneros]]></dc:creator>
		<pubDate>Wed, 28 Jun 2023 12:47:25 +0000</pubDate>
				<category><![CDATA[Exposiciones]]></category>
		<guid isPermaLink="false">https://nuriamunoz.com/?p=16308</guid>

					<description><![CDATA[<p>23 marzo - 1 octubre 2023<br />
Palazzo Reale, Palermo</p>
<p>La entrada <a href="https://nuriamunoz.com/omar-hassan-punctum/">Omar Hassan. Punctum</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="16308" class="elementor elementor-16308" data-elementor-post-type="post">
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									<p></p><p>23 marzo &#8211; 1 octubre, 2023</p><p>Palazzo Reale, Palermo<b><br /></b><br />Esta exposición, que nace de un diálogo entre<b> Omar Hassan y la Fundación Federico II, </b>pretende explorar el espacio intersticial entre lo clásico y lo contemporáneo, conectando pasado y futuro.<b><br /><br /></b>Con motivo de la muestra y fruto de las sugerencias que estimularon el impulso creativo en el Palacio Real, el artista ítalo-egipcio concibió siete <b>obras site-specific </b> (El Mapa de Palermo, Luces, Autorretrato, Pax, Triloquio, Sin Filtro y la Novena IX) de un total de quince; algunas de las cuales, se incorporan en la <b>Galería de imágenes.<br /></b></p><p></p>								</div>
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		<p>La entrada <a href="https://nuriamunoz.com/omar-hassan-punctum/">Omar Hassan. Punctum</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
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		<item>
		<title>Juan Muñoz. Todo lo que veo me sobrevivirá</title>
		<link>https://nuriamunoz.com/juan-munoz-todo-lo-que-veo-me-sobrevivira/</link>
		
		<dc:creator><![CDATA[Nuria Muñoz Sánchez-Horneros]]></dc:creator>
		<pubDate>Wed, 28 Jun 2023 12:45:08 +0000</pubDate>
				<category><![CDATA[Exposiciones]]></category>
		<guid isPermaLink="false">https://nuriamunoz.com/?p=16301</guid>

					<description><![CDATA[<p>14 febrero- 9 julio 2023<br />
Sala Alcalá 31, Madrid</p>
<p>La entrada <a href="https://nuriamunoz.com/juan-munoz-todo-lo-que-veo-me-sobrevivira/">Juan Muñoz. Todo lo que veo me sobrevivirá</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="16301" class="elementor elementor-16301" data-elementor-post-type="post">
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<p>14 febrero &#8211; 9 julio 2023<br />Sala Alcalá 31, Madrid</p>
<p><b>La Subdirección General de Bellas Artes, la Dirección General de Promoción Cultural y la Consejería de Cultura, Turismo y Deporte</b> organizan la exposición que conmemora los 70 años del nacimiento de <b>Juan Muñoz</b>. Artista que redefinió la escultura creando espacios que invitan al espectador a observar y ser observado.</p>
<p>La muestra, comisariada por <b>Manuel Segade</b>, recoge algunas de las obras más representativas de los últimos diez años de la trayectoria del prolífico creador bajo el título “Todo lo que veo me sobrevivirá” y está concebida como una instalación de instalaciones; donde las intervenciones transforman el espacio expositivo con creaciones narrativas, mágicas y teatrales.</p>
<p><strong>Galería de imágenes</strong> de algunas piezas que albergan en esta exposición que oscila entre la realidad y la ficción; insistiendo en que la realidad -como el reflejo en un espejo- no es más que una forma de representar.</p>
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		<p>La entrada <a href="https://nuriamunoz.com/juan-munoz-todo-lo-que-veo-me-sobrevivira/">Juan Muñoz. Todo lo que veo me sobrevivirá</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
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		<title>Chamber of Wonders. CAC Málaga Collection</title>
		<link>https://nuriamunoz.com/chamber-of-wonders-cac-malaga-collection/</link>
		
		<dc:creator><![CDATA[Nuria Muñoz Sánchez-Horneros]]></dc:creator>
		<pubDate>Fri, 18 Dec 2020 15:57:29 +0000</pubDate>
				<category><![CDATA[Exposiciones]]></category>
		<guid isPermaLink="false">https://nuriamunoz.com/?p=15846</guid>

					<description><![CDATA[<p>12 noviembre 2020 -10 enero 2021<br />
Renace Contemporary Art (Baeza, Jaén)</p>
<p>La entrada <a href="https://nuriamunoz.com/chamber-of-wonders-cac-malaga-collection/">Chamber of Wonders. CAC Málaga Collection</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
]]></description>
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<p>12 noviembre 2020 -10 enero 2021 <br />Renace Contemporary Art (Baeza, Jaén)</p>
<p><strong>La Galería Renace Contemporary Art</strong> (<span style="color: #ff0000;">https://renace.art</span>) colabora con el <strong>Centro de Arte Contemporáneo de Málaga</strong> mostrando una representativa selección de obras pertenecientes a la <strong>Colección del CAC de Málaga</strong>.</p>
<p>De esta forma <strong>Fernando Francés</strong> comisaría una muestra que nos conduce por los diferentes movimientos y tendencias artísticas del siglo XX -en especial de las últimas décadas- aunando los trabajos de autores de proximidad con otros de referencia internacional: <strong>Pilar Albarracín, Miquel Barceló, Louise Bourgeois, Imon Boy, Chema Cobo, Eric Fischl, Mariajosé Gallardo, Damien Hirst, Manuel Léon, Chico López, Erik Parker, Javier Parrilla, José Miguel Pereñíguez, José</strong> <strong>María Sicilia y Cachito Vallés.</strong></p>
<p><strong>Galería de imágenes</strong> de la pintura “Eclipses” de José María Sicilia y «Plus Ultra» de Javier Parrilla, del bordado “Negro I (Serie Peces de la suerte)” de Pilar Albarracín, del grabado de Louise Bourgeois “Storm at Saint Honoré” y de las obras “System #04&#8243; de Cachito Vallés y «Cabra 1» de Miquel Barceló.</p>
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				<a data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="3fca23a" data-elementor-lightbox-title="J.M. Sicilia" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU4OTEsInVybCI6Imh0dHBzOlwvXC9udXJpYW11bm96LmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTJcL0ouTS4tU2ljaWxpYS5qcGciLCJzbGlkZXNob3ciOiIzZmNhMjNhIn0%3D" href='https://nuriamunoz.com/wp-content/uploads/2020/12/J.M.-Sicilia.jpg'><img loading="lazy" width="1419" height="1685" src="https://nuriamunoz.com/wp-content/uploads/2020/12/J.M.-Sicilia.jpg" class="attachment-full size-full" alt="" decoding="async" srcset="https://nuriamunoz.com/wp-content/uploads/2020/12/J.M.-Sicilia.jpg 1419w, https://nuriamunoz.com/wp-content/uploads/2020/12/J.M.-Sicilia-253x300.jpg 253w, https://nuriamunoz.com/wp-content/uploads/2020/12/J.M.-Sicilia-862x1024.jpg 862w, https://nuriamunoz.com/wp-content/uploads/2020/12/J.M.-Sicilia-768x912.jpg 768w, https://nuriamunoz.com/wp-content/uploads/2020/12/J.M.-Sicilia-1294x1536.jpg 1294w" sizes="(max-width: 1419px) 100vw, 1419px" /></a>
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				<a data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="3fca23a" data-elementor-lightbox-title="Louise Bourgeois" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU4ODgsInVybCI6Imh0dHBzOlwvXC9udXJpYW11bm96LmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTJcL0xvdWlzZS1Cb3VyZ2VvaXMtc2NhbGVkLmpwZyIsInNsaWRlc2hvdyI6IjNmY2EyM2EifQ%3D%3D" href='https://nuriamunoz.com/wp-content/uploads/2020/12/Louise-Bourgeois-scaled.jpg'><img loading="lazy" width="2560" height="1676" src="https://nuriamunoz.com/wp-content/uploads/2020/12/Louise-Bourgeois-scaled.jpg" class="attachment-full size-full" alt="" decoding="async" srcset="https://nuriamunoz.com/wp-content/uploads/2020/12/Louise-Bourgeois-scaled.jpg 2560w, https://nuriamunoz.com/wp-content/uploads/2020/12/Louise-Bourgeois-300x196.jpg 300w, https://nuriamunoz.com/wp-content/uploads/2020/12/Louise-Bourgeois-1024x671.jpg 1024w, https://nuriamunoz.com/wp-content/uploads/2020/12/Louise-Bourgeois-768x503.jpg 768w, https://nuriamunoz.com/wp-content/uploads/2020/12/Louise-Bourgeois-1536x1006.jpg 1536w, https://nuriamunoz.com/wp-content/uploads/2020/12/Louise-Bourgeois-2048x1341.jpg 2048w" sizes="(max-width: 2560px) 100vw, 2560px" /></a>
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				<a data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="3fca23a" data-elementor-lightbox-title="Javier Parrilla" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU4ODcsInVybCI6Imh0dHBzOlwvXC9udXJpYW11bm96LmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTJcL0phdmllci1QYXJyaWxsYS1zY2FsZWQuanBnIiwic2xpZGVzaG93IjoiM2ZjYTIzYSJ9" href='https://nuriamunoz.com/wp-content/uploads/2020/12/Javier-Parrilla-scaled.jpg'><img loading="lazy" width="1700" height="2560" src="https://nuriamunoz.com/wp-content/uploads/2020/12/Javier-Parrilla-scaled.jpg" class="attachment-full size-full" alt="" decoding="async" srcset="https://nuriamunoz.com/wp-content/uploads/2020/12/Javier-Parrilla-scaled.jpg 1700w, https://nuriamunoz.com/wp-content/uploads/2020/12/Javier-Parrilla-199x300.jpg 199w, https://nuriamunoz.com/wp-content/uploads/2020/12/Javier-Parrilla-680x1024.jpg 680w, https://nuriamunoz.com/wp-content/uploads/2020/12/Javier-Parrilla-768x1156.jpg 768w, https://nuriamunoz.com/wp-content/uploads/2020/12/Javier-Parrilla-1020x1536.jpg 1020w, https://nuriamunoz.com/wp-content/uploads/2020/12/Javier-Parrilla-1360x2048.jpg 1360w" sizes="(max-width: 1700px) 100vw, 1700px" /></a>
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				<a data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="3fca23a" data-elementor-lightbox-title="Miquel Barceló" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU4ODksInVybCI6Imh0dHBzOlwvXC9udXJpYW11bm96LmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTJcL01pcXVlbC1CYXJjZWxvXHUwMzAxLmpwZyIsInNsaWRlc2hvdyI6IjNmY2EyM2EifQ%3D%3D" href='https://nuriamunoz.com/wp-content/uploads/2020/12/Miquel-Barceló.jpg'><img loading="lazy" width="1740" height="2345" src="https://nuriamunoz.com/wp-content/uploads/2020/12/Miquel-Barceló.jpg" class="attachment-full size-full" alt="" decoding="async" srcset="https://nuriamunoz.com/wp-content/uploads/2020/12/Miquel-Barceló.jpg 1740w, https://nuriamunoz.com/wp-content/uploads/2020/12/Miquel-Barceló-223x300.jpg 223w, https://nuriamunoz.com/wp-content/uploads/2020/12/Miquel-Barceló-760x1024.jpg 760w, https://nuriamunoz.com/wp-content/uploads/2020/12/Miquel-Barceló-768x1035.jpg 768w, https://nuriamunoz.com/wp-content/uploads/2020/12/Miquel-Barceló-1140x1536.jpg 1140w, https://nuriamunoz.com/wp-content/uploads/2020/12/Miquel-Barceló-1520x2048.jpg 1520w" sizes="(max-width: 1740px) 100vw, 1740px" /></a>
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				<a data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="3fca23a" data-elementor-lightbox-title="Pilar Albarracin" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU4OTAsInVybCI6Imh0dHBzOlwvXC9udXJpYW11bm96LmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTJcL1BpbGFyLUFsYmFycmFjaW4tMS1zY2FsZWQuanBnIiwic2xpZGVzaG93IjoiM2ZjYTIzYSJ9" href='https://nuriamunoz.com/wp-content/uploads/2020/12/Pilar-Albarracin-1-scaled.jpg'><img loading="lazy" width="2560" height="1562" src="https://nuriamunoz.com/wp-content/uploads/2020/12/Pilar-Albarracin-1-scaled.jpg" class="attachment-full size-full" alt="" decoding="async" srcset="https://nuriamunoz.com/wp-content/uploads/2020/12/Pilar-Albarracin-1-scaled.jpg 2560w, https://nuriamunoz.com/wp-content/uploads/2020/12/Pilar-Albarracin-1-300x183.jpg 300w, https://nuriamunoz.com/wp-content/uploads/2020/12/Pilar-Albarracin-1-1024x625.jpg 1024w, https://nuriamunoz.com/wp-content/uploads/2020/12/Pilar-Albarracin-1-768x469.jpg 768w, https://nuriamunoz.com/wp-content/uploads/2020/12/Pilar-Albarracin-1-1536x937.jpg 1536w, https://nuriamunoz.com/wp-content/uploads/2020/12/Pilar-Albarracin-1-2048x1249.jpg 2048w" sizes="(max-width: 2560px) 100vw, 2560px" /></a>
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				<a data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="3fca23a" data-elementor-lightbox-title="Cachito Vallés" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU4ODYsInVybCI6Imh0dHBzOlwvXC9udXJpYW11bm96LmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTJcL0NhY2hpdG8tVmFsbGVcdTAzMDFzLXNjYWxlZC5qcGciLCJzbGlkZXNob3ciOiIzZmNhMjNhIn0%3D" href='https://nuriamunoz.com/wp-content/uploads/2020/12/Cachito-Vallés-scaled.jpg'><img loading="lazy" width="2560" height="1920" src="https://nuriamunoz.com/wp-content/uploads/2020/12/Cachito-Vallés-scaled.jpg" class="attachment-full size-full" alt="" decoding="async" srcset="https://nuriamunoz.com/wp-content/uploads/2020/12/Cachito-Vallés-scaled.jpg 2560w, https://nuriamunoz.com/wp-content/uploads/2020/12/Cachito-Vallés-300x225.jpg 300w, https://nuriamunoz.com/wp-content/uploads/2020/12/Cachito-Vallés-1024x768.jpg 1024w, https://nuriamunoz.com/wp-content/uploads/2020/12/Cachito-Vallés-768x576.jpg 768w, https://nuriamunoz.com/wp-content/uploads/2020/12/Cachito-Vallés-1536x1152.jpg 1536w, https://nuriamunoz.com/wp-content/uploads/2020/12/Cachito-Vallés-2048x1536.jpg 2048w" sizes="(max-width: 2560px) 100vw, 2560px" /></a>
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		<p>La entrada <a href="https://nuriamunoz.com/chamber-of-wonders-cac-malaga-collection/">Chamber of Wonders. CAC Málaga Collection</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
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		<title>Chema Cobo. El clamor de las moscas</title>
		<link>https://nuriamunoz.com/chema-cobo-el-clamor-de-las-moscas/</link>
		
		<dc:creator><![CDATA[Nuria Muñoz Sánchez-Horneros]]></dc:creator>
		<pubDate>Tue, 27 Oct 2020 14:16:25 +0000</pubDate>
				<category><![CDATA[Exposiciones]]></category>
		<guid isPermaLink="false">https://nmsh.es/?p=15432</guid>

					<description><![CDATA[<p>9 septiembre - 15 noviembre 2020<br />
Sala de Exposiciones, Antigua Escuela de Magisterio, Jaén</p>
<p>La entrada <a href="https://nuriamunoz.com/chema-cobo-el-clamor-de-las-moscas/">Chema Cobo. El clamor de las moscas</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
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										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="15432" class="elementor elementor-15432" data-elementor-post-type="post">
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<p>9 septiembre &#8211; 15 noviembre 2020<br />Sala de Exposiciones, Antigua Escuela de Magisterio, Jaén</p>
<p>El <strong>Vicerrectorado de Proyección de la Cultura y Deporte de la Universidad de Jaén</strong> y el <strong>Centro de Iniciativas</strong><br /><strong>Culturales de la Universidad de Sevilla</strong> producen la exposición «El clamor de las moscas», integrada por una selección de obras procedentes de instituciones, colecciones privadas y de la colección personal del artista.</p>
<p>La muestra, comisariada por <strong>María José Collado Ruiz</strong> y <strong>Fernando Sáez Pradas</strong>, presenta una serie de dibujos, algunos de los cuales nunca han sido expuestos, y que permiten adentrarnos en el mundo creativo de Chema Cobo (<a href="http://chemacobo.blogspot.com" target="_blank" rel="noopener">http://chemacobo.blogspot.com</a>) a través de la figuración y la conceptualización.</p>
<p><span style="color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight );">El </span><strong style="color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif;">Catálogo</strong><span style="color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight );"> de la exposición puede descargarse en el <a href="http://eventos.ujaen.es/54464/files/exposicion_-el-clamor-de-las-moscas-chema-cobo.html">siguiente enlace</a>.</span></p>
<p><strong>Galería de imágenes</strong> de los dibujos (técnica mixta y acuarela sobre papel) y la escultura (fibra de vidrio).</p>
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		<p>La entrada <a href="https://nuriamunoz.com/chema-cobo-el-clamor-de-las-moscas/">Chema Cobo. El clamor de las moscas</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
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		<title>David Padilla. La mirada de la modernidad</title>
		<link>https://nuriamunoz.com/david-padilla-la-mirada-de-la-modernidad/</link>
		
		<dc:creator><![CDATA[Nuria Muñoz Sánchez-Horneros]]></dc:creator>
		<pubDate>Thu, 08 Oct 2020 13:13:46 +0000</pubDate>
				<category><![CDATA[Exposiciones]]></category>
		<category><![CDATA[David Padilla]]></category>
		<guid isPermaLink="false">https://nmsh.es/?p=15430</guid>

					<description><![CDATA[<p>8 septiembre - 8 noviembre 2020<br />
Museo de Jaén</p>
<p>La entrada <a href="https://nuriamunoz.com/david-padilla-la-mirada-de-la-modernidad/">David Padilla. La mirada de la modernidad</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
]]></description>
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<p>8 septiembre &#8211; 8 noviembre 2020<br>Museo de Jaén</p>
<p>La muestra, que cuenta con la colaboración de la <strong>Consejería de Cultura y Patrimonio Histórico de la Junta de </strong><strong>Andalucía</strong>, podrá visitarse hasta el próximo 8 de noviembre en la Sala Temporal del Museo de Jaén, <a href="http://www.museosdeandalucia.es/web/museodejaen/actualidad/-/asset_publisher/SxfJV5dJvqKr/content/david-padillamirada-y-modernidad?redirect=%2Fweb%2Fmuseodejaen%2Factualidad&amp;inheritRedirect=true" target="_blank" rel="noopener noreferrer">ver enlace</a>.</p>
<p>La primera exposición antológica dedicada al artista y comisariada por <strong>Francisco Carrillo</strong> -artista y fundador de la Academia de Arte Carrillo- nos permitirá <strong>conocer la mirada de David Padilla capitalizada en su ciudad natal: </strong><strong>Jaén.</strong></p>
<p>La muestra está integrada por más de una <strong>sesentena de obras del artista, el audiovisual “La baba del caracol” y </strong><strong>otras obras de artistas contemporáneos de Padilla</strong>.</p>
<p><strong>Galería de imágenes</strong> donde se puede apreciar la precisión de los dibujos de David Padilla mediante el uso de tintas industriales sobre papel.</p>
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		<p>La entrada <a href="https://nuriamunoz.com/david-padilla-la-mirada-de-la-modernidad/">David Padilla. La mirada de la modernidad</a> se publicó primero en <a href="https://nuriamunoz.com">Nuria Muñoz Sánchez-Horneros</a>.</p>
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